Download Dagars & Dhrupad: Divine Legacy, by Humra Quraishi
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Dagars & Dhrupad: Divine Legacy, by Humra Quraishi
Download Dagars & Dhrupad: Divine Legacy, by Humra Quraishi
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Dhrupad is one of the earliest and most dominant streams that has contributed to Hindustani classical music. According to Faiyazuddin Dagar (1934-1989), In the two parts of the dhrupad, the alap [the improvised section of a raga, forming a prologue to the formal expression] is sung in free rhythm over drone, and the pada [word or phrase that signifies the concept of a raga] is more a rhythmic poem accompanied by drumming over the two-headed pakhawaj [the standard percussion instrument used in dhrupad]. It is a devotional and spiritual type of music - and though the basic style has not changed right from the earlier times 15 centuries ago individuality does come in and find its place.
The book traces the history of the illustrious Dagar family through 20 generations of dhrupad singers and highlights their distinctive approach to this unique form of music. Rare photographs make the book all the more special.
Contents: What is Dhrupad?; Generations of Performers; Conversing with the Dagar Brothers; Death of a Legend; Passage of Time; Carrying on the Legacy; Wasifuddin Dagar Writes...; The Dagar Disciples.
- Sales Rank: #2385086 in Books
- Published on: 2016-03-18
- Original language: English
- Number of items: 1
- Dimensions: 10.16" h x .55" w x 9.08" l, 1.87 pounds
- Binding: Hardcover
- 156 pages
About the Author
Humra Quraishi is a Delhi-based writer-columnist-journalist. Her books include Kashmir: The Untold Story and a volume of her collective writings, Views: Yours and Mine. She has co-authored two books with Khushwant Singh.
Most helpful customer reviews
2 of 2 people found the following review helpful.
A Good Read for the Historians and Lovers of Indian Classical Music in Modern Time
By Dr Anup K Das
Humra Quraishi in her book "Dagars & Dhrupad: Divine Legacy" tells us an insider story of Dagar family, who carried forward 'Dhrupad' tradition of Hindustani classical music for more than a century. In the first chapter Quraishi defines Dhrupad: "In the two parts of the dhrupad, the alap [the improvised section of a raga, forming prologue to the formal expression] is sung in free rhythm over drone, and the pada [word or phrase that signifies the concept of a raga] is more a rhythmic poem accompanied by drumming over two-headed pakhawaj [the standard percussion instrument used in dhrupad]. It is a devotional and spiritual type of music, and though the basic style has not changed right from the earlier times - 15th centuries - individuality does come in and find its place."
The book describes the Dagar family as the torchbearer of the Dhrupad music tradition and then it explores the legacy of the family. The famous Dagar brothers include Ustad Nasir Zahiruddin and Ustad Nasir Faiyazuddin while Ustad Faiyaz Wasifuddin Dagar today represents the 20th unbroken generation of Dhrupad singers in the Dagar family. This fact elaborates with a family tree in the chapter "Generations of Performers". In the chapter "Conversing with the Dagar Brothers" the author includes the excerpts from her conversation with Zahiruddin, Faiyazuddin and Fahimuddin Dagar, which is very informative. Other chapters in this book include: Death of a Legend, Passage of Time, Carrying on the Legacy, Wasifuddin Dagar Writes, and The Dagar Legacy. These chapters make the readers understand contributions and dedications of Dagar family in enriching Dhrupad style of Indian classical music. Thus, this book becomes a companion to the history of Hindustani classical music.
This book is a good read for the historians and lovers of Indian classical music tradition.
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